Like previous generation e-shift enabled D-ILA projectors, the NX9 optically shifts its image up and over a half pixel every other frame in order to create a higher resolution image. These finer steps in control also meant that the lens memories I use to switch between aspect ratios on my scope screen were recalled with better precision.Īnother noteworthy advantage of the NX9 over the NX7 is 8K resolution through JVC's proprietary pixel-shifting "e-shift" system. What's more, this focus performance stretched out almost all the way to the edge of my screen. That's not to say getting a good level of focus wasn't possible with the lens found on the RS2000/NX7, but the motorized control system for this lens has finer steps of adjustment, which meant I was able to get a nearly perfect level of focus. In practice, I found this lens gave me more control to get a tighter focus on screen. This aspect, combined with what JVC claims are hand-selected components, helps achieve an extra 300 lumens of brightness (2,200 total) and a 20 percent increase in on/off contrast performance (up to 100,000:1 native and 1,000,000:1 dynamic), despite the NX9 using the same 265-watt lamp and light engine found in the NX7. JVC claims the design and quality of this lens make it far more efficient. While a sharper-looking image may be the most visually apparent consequence of this lens, it helps the NX9 achieve much more. It also offers a slightly shorter throw ratio of 1.35 to 2.70 and adds a wider range in shift capabilities, which are now specified as ☑00 percent vertical and up to ±43 percent horizontal. It utilizes 18 all-glass elements set in 16 groups, with five of these elements featuring low dispersion optical coatings to prevent issues with chromatic aberration. Compared to the lens found on the NX7, the NX9's is 35 percent larger in diameter and features an upgraded aluminum barrel. In fact, the lens found in the NX9 is the same one used in JVC's far more expensive laser-based 4K projector. So, instead of repeating a lot of the same information readers can find in my RS2000 review, I want to focus on what differentiates the NX9 and how these changes affect usability and performance.Īmong the upgrades offered, and arguably the biggest, is a far more impressive lens. This means the NX9, despite costing twice as much, shares a lot in common with the previously reviewed RS2000/ DLA-NX7, including most of the internal hardware, video processing features, input and output options, and even the chassis. This is key in how JVC has historically offered such high performance at competitive price points. Those familiar with the home theater projector market will know that JVC is a firm believer in economies of scale. Sealing the deal for me to ask for a review unit was JVC's announcement that all existing native 4K models would carry over into 2020. While JVC did a commendable job removing as many setup issues as possible, the demo left me wanting to see how this projector would look under more controlled conditions in my own theater. Those who've been to trade shows know that demos are rarely given under ideal lighting. While there, I was able to demo a beta version of this software through the company's $18,000 DLA-NX9 projector (also sold as the DLA-RS3000 depending on geo-location and market). At CEDIA this past fall, JVC announced (and has subsequently released) a new firmware update for its current generation 4K projectors, bringing with it a massive improvement in HDR performance through real-time, frame-by-frame, DTM (dynamic tonemapping) software.
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