But when mixed with a dry copy of the input, comb filtering occurs and you get a phasing effect. This means that the filter cannot be heard on its own. Crank up either or both of those parameters and the Style personalities emerge … in spades. With minimal Peak and Drive settings, the Style setting makes little difference to the sound. You can increase the input level to filters to achieve additional grittiness and distortion on a per-filter basis. The Drive parameter is just what you’d expect. Clean: linear behavior with no drive or clipping.Easy Going: softer version of the Tube style.Metal: rough, sharper sound and distortion.Gentle: smooth and clean, general-purpose.Hollow: moderate distortion with plenty low-end self-oscillation.Hard: moderately distorting filter, with clean self-oscillation. Classic: the original FabFilter filter style.This is what establishes the filter’s character. For the all-pass shape, Peak and Slope both affect the filter’s characteristics in a way that can best be seen graphically.įinally, there’s the Style parameter. For bell and shelf shapes, Slope controls the width of the filter. For LP, HP and BP, this is the slope of the non-pass areas of the frequency spectrum: 6 dB/octave, 12 dB/oct, 24 dB/oct or 48 dB/oct. For shelf and bell shapes, Peak controls the gain as well as resonance, and can be negative.Īdd to this set of possibilities the Slope parameter. Then we have a Peak setting which dictates the height of the resonant peak for LP, HP, BP and notch shapes. To be precise, there are eight shapes: low-pass, high-pass, band-pass, notch, low-shelf, high-shelf, bell and all-pass. The routing options for LR and MS are shown below (again this selection list is for all four filters in use).Ībove it was mentioned that there are eight filter types, but this oversimplifies. LR and MS are largely the same other than in MS, an LR-to-MS transform is done before the filtering happens, followed by an MS-to-LR transform. One of each pair is dedicated to L or M, and the other to R or S. In LR and MS mode each filter slot is filled with a single-channel (mono) filter, and these get allocated in pairs (although you may disable any filter slot not needed). This can be a truly magical effect when slowly modulated – take a listen to the Lazy Contrails preset (in V2 Presets Folder/Synth), using V3 on a pad sound, with all the synth FX disabled, to see what I mean. It will raise cutoff in the direction of the pan and correspondingly lower it the other channel. Each filter in stereo mode has a Pan parameter which affects cutoff. The routing available will, naturally, depend upon how many filters are actually in use. The above is what you get when four filters are used. Along the way, we’ll look at pertinent elements of the UI that relate to the ongoing discussion. Then we’ll move on to the subject of modulation – V3 is in the category of “creative plug-in” and modulation is a very big part of that story. We’ll start by examining the internals: the filter routing structure and the available filters themselves. V3 is also available as an AUv3 plug-in for iPad in the App Store, but that version is ignored in this review. FabFilter offers occasional discounts on individual plugins (such was the case last Black Friday), so get on the mailing list if you’re interested in being notified of such. Also, Volcano 3 (hereafter just V3) is included in several FabFilter bundles. However, owners of other FabFilter titles will get a discount, so log into your account to see the price if this applies to you. Authorization is via a customer-friendly license key. A fully functional demo that’s good for 30 days is available for download. The plug-in is available in formats compatible with all current mainstream DAWs. If you are a fan of FabFilter software (and count me in that group), you’ll need little prompting to want to see what’s in the latest version.įirst, let’s get fundamental requirements out of the way. Earlier in the year we were treated to a new version of FabFilter’s oh-so-elegant delay plug-in, Timeless (read our review of Timeless 3 here), and now we also have Volcano 3 to enjoy. It’s been a good year for FabFilter enthusiasts. Sixteen years later we are now at version 3. FabFilter’s classic filter effect, Volcano, was first introduced in 2005.
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